This post from a while back on a flash hack for the Nikon D40 has been one of my most popular pieces here, but sadly the original images it linked to are long since gone. Today I found this article over at Instructables which is just as good – in fact, because it uses the foil of a cigarette packet to act as the flash difuser, instead of just cardboard, it’s probably even better. Read the full how to here.
Categories: Photography
Tagged: flash, hack, how to
A post on the Flickr blog got me thinking about my 12 ‘Flickr Superstars’. As I made my notes, several themes emerged:
i. The Far East, specifically Japan. Having visited the Far East specifically, and having a Japanese fiancee, it’s no surprise that I’m fascinated by Japan, and I think there’s also a sense of me trying to understand it – culture, people, places, feelings – through images.
ii. Fast lenses. Quite a few of my favourite Flickr images rely on fast lenses (f1.8 and below).
iii. Simple, strong, compositions. If you look in the group devoted to these lists of 12, a lot of the photographers suggested are ‘high concept’. Lots of PhotoShop, and self-consciously arty compositions. Not for me – as with film, music (where I’m a big fan of 80s and early 90s alternative US groups such as The Replacements, Pixies, Nirvana), I tend towards images which are more strongly rooted in reality.
My favourite 12 are after the jump.
Categories: Japanorama · Photography
Tagged: flickr, high church low church
Another excellent set of photos on The Big Picture today, focussing this time on animals in the zoo. As always with The Big Picture, there’s a real (if subtle) sense of a narrative running through the post, thanks to the ordering of the shots. I couldn’t help but be grabbed by this one of a six-week-old North Chinese Leopard from Hagenbeck Zoo in Hamburg, Germany.
It makes a very strong impact thanks to the strength of the subject. At first it’s funny and cute, thanks to the disparity between the dinky little cub, doing his best to snarl, and the photographers. The wicker basket makes him appear all the sweeter, as if he’s a pet on a picnic or something.
Look at it longer though and there’s a toughness to it – there’s a predator’s cruelty in the leopard’s eyes. Cub or not, there’s no mistaking the fact he’s (supposed to be) a hunter and a killer, which makes the way he’s trapped quite poignant. Increasing this sense are the partially obscured faces of the photographers leering out of the blown, smudgy white highlight on the right. The super-saturated light gives a feeling, I think, of the outside forces shaping the cub’s life.
Other highlights from the post include shot 23, which features some very clever use of shadows and picture 26 which is a flat out super composition – the human hand makes it a much more interesting shot than 27, despite the fact that 27 is, on the surface, more action packed.
Categories: Ephemera and links · Photography
Tagged: animals
When is too much in Photoshop? This article (translated from Danish) tells the story of a photographer who entered a competition, and was then asked to send unedited samples of his images. The article reproduces the pictures – before and after – so you can judge for yourself if there’s too much editing going on.
Those images are mostly landscapes; Photoshopping on humans is much more widely discussed (both behind the scenes, and in front of camera, as in the Dove ‘real beauty’ adverts), but Shakesville’s series, ‘Impossibly Beautiful‘ does a good job of showcasing what, post-software, is considered beautiful.
Update: Co-incidentially, this month’s French Elle is not only Photoshop free, it’s also dispensed with make-up for its female cover stars, who include Eva Herzigova, Monica Bellucci, Sophie Marceau, and Charlotte Rampling.
Categories: On Journalism and Media · Photography
Tagged: magazines, photoshop
I ended up on Peleliu more by accident than design; I have family living on Palau, so my partner and I went to visit, and Peleliu seemed like an interesting day trip. I took the photos, wrote up the guide’s stories and did some Googling when I got back. One of the nice things about a blog post getting wider circulation, as mine on the Battle of Peleliu did thanks to Boing Boing, is that you get input from a huge variety of people.
Firstly, from the (very kind) comments here and over at BB, one book recommendation comes through very clearly – With The Old Breed by Eugene Sledge, so I’ve added that to my Amazon wishlist. First published in 1981, Sledge fought on Peleliu and in numerous other battles in the Pacific war. It’s very highly thought of, and it doesn’t flinch from depicting the brutality of the war. Paul Fussell, who himself wrote a brilliant book called ‘The Great War and Modern Memory’, praised it as ‘one of the finest memoirs to emerge from any war,’ which is about as good a recommendation as you can get.
With The Old Breed is, together, with another WW2 memoir, Helmet For My Pillow, being used as the source material for an HBO series about the battles across the Pacific. Called ‘The Pacific,’ it’s being produced by the same team (Spielberg, Tom Hanks etc) as the brilliant Band of Brothers, and will be on TV at some point this year. This site has a few YouTube snippets.
Also recommended was Ken Burns’ The War – I suspect this is fairly famous in the US, but this is the first I’ve heard of it. It’s easy to get on DVD though, so I’ll hopefully get a chance to watch it.
One commenter on Boing Boing wanted to know about the Japanese tank I photographed; another identified it as a Type 95 Ha-Go, and Wikipedia does indeed claim 15 were deployed on Peleliu.
Another added a link to a Flickr user with some shots of cleaning up unexploded WW2 ordinance in the Marshall Islands – this set in particular is well annotated.
A search on Metafilter revealed a post about American photographer James Fee. His father fought on Peleliu, and in 1998 James went back to the island to take photos. The exhibition he created combined his own images with shots is father had taken. You can see 18 of the images here and the book is available on Amazon. The picture of the Zero at the top of the post is his. It’s always interesting to see the approach other photographers take to the same subject matter. I’m definitely jealous of his Zero shot; it’s terrifically moody. I’m surprised by how different his images seem to mine; they’re hazier, more lyrical – he seems more wary of the colours, of the brightness of the sunlight that I was.
Finally, someone asked what I used on Peleliu – it was a Nikon D40 with the 18-55 kit lens, and for some of the shots, an 85mm f1.8 prime. It doesn’t auto-focus on the D40, but it really isn’t a problem when you’ve got such bright sunlight, and such still scenes to shoot. I’ve written about my love for this camera quite a bit; honestly, some of the best money I ever spent. I’m glad people appreciated the pictures.
Categories: In My Life · Photography · Travel
Tagged: palau, peleliu, world war 2
Peleliu is a small island that forms part of the nation of Palau in the Pacific. It’s about five hours flying time south of Japan and three hours east of the Philippines. It’s now, like the rest of Palau, beautiful, peaceful and home to more shades of blue in the sea and sky than you or your camera lens would ever have thought possible.
Blue wasn’t always the colour.
Between September and November 1944, it was the site of an incredibly fierce battle between US and Japanese armed forces. Peleliu island is about 14 square miles of terrain; during the three months of fighting, the casualty rate worked out at just under 1,000 men killed per square mile of island. Close to 1,800 American servicemen died; of the 11,000 Japanese soldiers defending the island, only 202 were captured alive.
The battle was fought over the fact Peleliu had an airfield, and was within range of the Philippines, from where the US planned to eventually launch strikes against the Japanese mainland. The plan to attack Peleliu was a contentious one – not all of the US high command thought Peleliu was strategically important, and after the battle, the US found the airfield was barely operational, and posed almost no threat to US forces elsewhere in the Pacific.
I’m from the UK, and visited Palau in October 2008. I took a day trip to Peleliu with a Japanese tour group. I took some photos, and made some notes. The photos are all hosted on Flickr. You can see the images as a slideshow on Flickr, check out the full set, or read the rest of this post to see what I saw.
Categories: In My Life · Photography · Travel
Tagged: palau, peleliu, world war 2
Amazon is selling the Nikon D40
Categories: Photography
Tagged: d40, nikon
This year, as well as recording the books I’ve read, I’m also going to take pictures of them. The idea is that the photo will in some way reflect the contents, style and/or writing, or perhaps what I learned from reading it. The covers will be added to this post, and will also be in this Flickr set.
Here they are:
Categories: Books and reading · Photography
Tagged: covers, novels, reading
It's very black
Took the shot above yesterday at Tate Modern, and it’s the first one I’ve got from the iPhone’s camera that I’ve been really happy with. It’s from Tate’s excellent Mark Rothko exhibition…
Part 1: Overheard at Mark Rothko
Well, I say it’s excellent, but that’s if you like Rothko. If you don’t, it’s fair to say it’s not going to change your mind about him. It’s not like there’s a secret room of photo-realistic portraits or delicate watercolours in the middle of it. Despite the fact Rothko is one of the few 20th century artists to be widely known, plenty of people there seemed annoyed, offended and upset by what they found. Best exchange I overheard was a father leading his 10 year old son through the rooms, at pace, saying:
“Right, so the last room was the purple and black series. This one is the grey and black series. You see the difference?”
In close second:
(Man, looking at a massive canvas that’s absolutely covered in paint) “Well, it’s not really painting, is it?”
Part 2: The Camerabag iPhone app
You do get some interesting people at exhibitions. Families with babies that literally look like they’ve just come out of the hospital, perplexed French tourists and people who appear to have dressed solely to look like cliched art fans. It all makes for great photos, but unfortunately you have to contend with the gallery guards and the no photography rule. This meant the SLR was out, and the iPhone was in. I’ve written about the iPhone’s camera before, and as it’s not brilliant, I’ve tried out a few apps to see if they could improve it. By far the best has been one called Camerabag; it’s cheap, regularly updated (most of the bugs have now gone) and allows you to apply a series of filters to pictures you take with the camera. The idea is that the filters mimic certain camera styles – Lomo, Polaroid, monochrome etc – and it’s easy to use, and as you can see from the picture I took at Tate, allows you to get a bit more out of your phone pics. Well worth the £1.79 cost. For more, check out the Camerabag Flickr group.
Previously on the Wired Jester:
Art: Visiting Tate Britain’s Holbein exhibition.
Categories: Creativity · London · Photography · iPhone
So last week I got to see Autumn in Palau and this week I’m in Japan, visiting the Jesteress’ family and friends, and of course, enjoying Japanorama for myself. Like many Japanese, the Jesteress is fond of saying that one of the reasons Japan is so great is that it has four seasons. At first this seems a bizarre claim - fine, places so close to the equator such as Palau don’t have distinct seasons, but the UK certainly does… but when you’re here in Japan, you appreciate there is a very certain, very definite distinction between the seasons. Even though it’s been quite warm, the people on the trains are often swaddled in woollen jumpers, because it’s autumn. In restaurants we’ve been enthusiastically served mackrel (”an autumn fish”). There are posters advertising particularly scenic autumnal locations at the railway stations.
It’s often said Japanese society is very ritualised and subject to many rules. This extends to the seasons and the observation of the seasons. Whereas in the UK you might say ‘oh, it feels very autumnal today’, or talk about an ‘indian summer’, in Japan, the date says it is autumn, so it is autumn. Although this is rigid, from such rigidty comes a sureness and certainty and a sense of organisation to things.
Speaking of scenic autumn locations, we’re currently in Gunma where the Jesteress’ mother lives, and along with some friends we went to Lake Haruna this afternoon. I joined in with a horde of photographers comitting the fabulous foliage to memory.
Categories: Japanorama · Photography
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